“With my artist albums, I’m conveying emotion, I’m constructing beats and writing songs that represent me as an artist and a person, so it doesn’t necessarily come out as ‘dance heavy,’” says Kaskade. “A mix CD is about walking the line, and fitting my style in with the DJ side of things. This is a head bobbing mix, something to pop in your car and thump.” Walking the line? Head bobbing? Thumping? I’m assuming San Francisco House DJ Kaskade isn’t Continue Reading
Who ever thought Coventry had it in it, eh? The scabby Metropolitan Borough in the West Midlands of England, cornerstone of the British Motor Industry and popular with Luftwaffe and 11th century peeping toms alike finally gets it’s day in the sun with a scraggy indie-pop five-piece called The Sequins who build upon the unlikely success of a couple of low-key singles (‘Nobody Dreams About Me’ – 2005 & ‘Patients’ – 2006) with a violent debut recalling Pulp, The Libertines Continue Reading
“A lovely piece of front-parlour theatre, scripted by aliens, cast with shadows and accompanied by angels.” That’s what we said about ‘The Only Thing I Ever Wanted’ and since the continuity between albums is so demonstrably smooth and even, it seems an unnecessary expense to try and think of anything different. If your nearest and dearest got you a WH Smith voucher last Christmas and intends to repeat that same generosity this year, then why not get her in return Continue Reading
She doesn’t want us to read her biog, see her profile or wave to her in the street. She doesn’t want us to prevail on her upbringing on Long Island, New York as one of six children. She will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. She just wants her music to speak for itself. And it does, with no small amount of empathy either. Jaymay’s music is the uninhibited rush of whispers after midnight, the unpicking Continue Reading
It’s a dad, dad, dad, dad world. Eels frontman Mark Oliver Everett takes a rare quantum leap, losing himself in the strange world of his father, Quantum Mechanic, Hugh Everett III. Repeated Sunday 2nd December at 12.00am26/11/2007 He’s everywhere and nowhere baby. That’s where he’s at. Going down the bumpy hillside in his hippy hat. But though he’s flying around the country, his tyres are never flat. Or rather in one dimension his tyres are flat and in the other Continue Reading
They Might Be Giants have always reveled in surreal scattergun pop. For every chart friendly ‘Birdhouse in Your Soul’ there are ten willfully offbeat gems such as ‘Hotel Detective In The Future.’Their discography is like a vast accumulation of obscure souvenirs – you can’t think what to do with them all but somehow you can’t throw any out. And here, 25 years after they first began, comes ‘The Else’, a rare attempt to make a ‘normal’ album – that is, Continue Reading
On the Music Club’s last album, the tattered and weary blues of ‘Love Songs For Patriots’ was offset with tunes that there scathing, wistful and confiding. It was dreamy and dislocated, barbed and bleeding. It tore into the Bush administration with literary abandon and did such equal measures of healing and violence to your heart you might have mistaken Eitzel for a surgeon. So what’s changed? Not a great deal – although the hellfire and the fury are largely absent, Continue Reading
This album is a decade late and doesn’t care. Like a lairy gatecrasher to a low key party it swaggers up with its 90’s Madchester vibe and proceeds to get drunk before passing out in the middle of the front room. Big Arm are the Missing Link between the Stereo MC’s and Hard Fi – Paul Ryder, co-founder of The Happy Mondays has fashioned a noughties equivalent to his own Mondays, to Flowered Up, Black Grape and all the other Continue Reading
You’ll be aware of the expression “over before it even began”. Possibly never has it applied so aptly to a popular music combo as with Scot 6-piece The Royal We. A brief history, then. Jihae Simmons headed over from her native Los Angles to Glasgow in 2005 in search of the pale-skinned, tatty ‘n’ twee, semi-romantic coy wonderland she had heard sketched out in Belle & Sebastian songs. Crud once drove through Glasgow and saw little evidence of this promised Continue Reading
Why do we even bother? Same reason we dribble with the fever of a medieval execution spectator every time we walk past a news-stand screaming “MADDY IS DEAD (PROBABLY)!” or “MADDY MUM HASN’T BLINKED SINCE JUNE!”, we suppose. Waiting either for the long-overdue manifestation of an improbable epiphany, or for the whole tiresome saga to fall apart spectacularly enough to retrospectively justify our voyeurism. The chances though of Peter Doherty knocking together an album even vaguely deserving of the widespread Continue Reading