Everyone I Ever Met – Spokes
Crud has already exhausted the ‘tumultuous, rain-soaked orchestral pop’ plaudits, so we’ll make this as brief and on target as possible: Manchester’s multi-manned and multi-dimensional Spokes do for the overcast British North West what Arcade Fire did for Quebec and what the Polyphonic Spree and David Koresh did for Texas (no obvious parallels drawn). Not even Brisbane or Queensland have been threatened on this scale, tracks like ‘345’ and ‘Peace Racket’ building from quiet, desultory showers to thrashing, stormy climaxes Continue Reading