This album would be aided immensely had we not ‘experienced’ any of their increasingly rigid and stylised live spurtings over the past couple of years, nor been subjected to the disappointing, blindfolded shooting of their flat debut ‘See Through This And Leave’. But oh, we have. That we approach this follow up with such abysmally low expectations though is its absolute saving grace. And surprisingly, grace there is on this occasion. Swells of it, actually. As ‘The Same Mistakes’ wisps Continue Reading

In amongst the trademark rock‘n’roll clutter (and it’s a trademark they have ownership over, or a bloody grip of at least, against popular misconception) there seems to be somewhat of a defence going on here. Not defence like having to justify themselves or their actions, that would go against the grain of everything this second album seems to want to stand for, or probably more acutely where they continue and will continue to stand as a band. No, defence as Continue Reading

It’s largely been down to the shuffling lo-fi imaginations of the US that have provided us with the more alternative and diverse guitar bands of the last 10 years or so: Pavement, the Pixies, Nirvana, the Flaming Lips – the list goes on. We in the UK had the passing phenomenon that was ‘Brit Pop’, of course – but contrary to expectations, it didn’t ‘Live Forever’. And what do we have to show for it? The Albarn ego-mobile that is Continue Reading

You have to admit, it’s a fair old pedigree, even if it does lack something in the way of continuity: Andy Chase – member of the band Ivy, co-founder of Stratosphere Sound recording studio, score provider and arranger for movies like Shallow Hal (featuring Jack Black) and There’s Something About Mary, producer to the likes of the Smashing Pumpkins, Divine Comedy and Juliana Hatfield. Unusual? You betcha. And you’ll be pleased to know Mr Chase continues to wrong foot us Continue Reading

Whether you like it because it’s swatched in big glittery clouds of kitsch nostalgia and post-modernized up to the nines by actually being on Norman Cook’s increasingly vital Southern Fried Records – or whether you like it simply becasue it’s simply a very good song, Elton’s Johns 1977 ‘Are You Ready For Love?’ looks set to be a stunning hit for the old git regardless. Originally recorded with Thom Bell at the legendary Philadelphia International Studios (famous for the OJs Continue Reading

With a punchy puppet-driven video directed by Alex Moulton of EyeballNYC and Thomas Sontag, Skint release Tiga’s ‘Hot In Herre’ – already having done the rounds as a fairly successful limited edition 12“ Studio !K7 release. So who the hell is he? Montreal’s Tiga sold over 200,000 copies of his remake of Corey Hart’s ’80s cornball classic, “Sunglasses At Night,“ is owner of Turbo Records and has remixed everyone from Bran Van 3000 to Cabaret Voltaire and Felix Da Housecat Continue Reading

Things always seem to ring so very true with Elbow, like their life story’s already worn down the nib of the pen from bolding and underlining every word. You talk of struggles for recognition, that decade-long slog against adversity leading to the overdue release of their sterling debut ‘Asleep In The Back’ has already been well documented. You regularly talk of Second Album Syndrome, having your whole life to collect your thoughts for your first and then being surreptitiously dumped Continue Reading