To be perfectly frank, I’m not really one for instrumental music, in the same way I’m not fond of pictures that don’t have something big and obvious upfront. My attention span is such that I find myself lapsing into a coma after little more than five-minutes of nobody talking. So whilst I’m perfectly pleased to learn that Brighton DJ, Simon Green has been self-producing, self-playing and self-abusing since the tender age of eighteen, it still fails to lift what is Continue Reading

Whether it’s a sign we are not yet out of the recession, or an indication of a brand new thrifty logic by artists, it’s clear from many of the independent artists of late that a scaled-back acoustic approach scores a more pleasing response from their audience. The likes of Bat For Lashes, and her lavish production credits are a tad out of sync with the vaguely insolvent status of many a British soul, and whilst not obscene by any means, her Continue Reading

It’s a bit of a mish-mash, I suppose, but eight-albums in and the boundary pushing, ivory tickling, circuit blowing, kraut rocking Berlin-US trio continue to churn out static-charged instrumentals that whilst boring the shit out of the traditional X-factor demographic make the beard-stroking beat purists positively wet with appreciation. It’s occasionally a little flat, but there’s enough bubbling beneath the surface to make even most generic of riffs (‘Forwardness’) sound sophisticated. If you’ve come across the likes of Four Tet, Continue Reading

Whilst we anticipate the complex, whimsical and engagingly camp Dev Hynes, aka Lightspeed Champion to undergo as many time signature shifts and personality changes as the celebrated BBC One Timelord, it seems likely that the one constant in his constantly evolving solo-life will be a prodigious knack with a melody and a capacity for exuberance seldom seen outside of circus rings and bouncy-castles. So if you enjoyed the delicate and understated country drawl of his charming debut, ‘Falling Off the Continue Reading

It’s been a full ten years since 2000’s Mercury-nominated Little Black Numbers and in that time Kathryn Williams spun one wispy yet deceptively strong web after another. Sentiment heavy but often full of witty observations about love and the patently daft tapestries it weaves, her light scouse drawl curls around the hurdy-gurdy of life in the North. But something’s changed. The coy and callow girl who sang about loving John, Paul, George and Ringo and never having anyone to take Continue Reading

Tim Wheeler’s intentions were admirable enough: the record buying world has changed, demands are different now and the vast majority of albums are too long in the making and offer too little in the way of satisfaction. This is not necessarily the fault of the artist, it it’s the fault of an industry numbed by fear, marred by complacency and so grossly self-analytical of its craft that any joyous creative zeal shown by aspiring bands is stifled by marketing objectives. Continue Reading

For Simon Fowler and Ocean Colour Scene life is an endless series of sunny afternoons, waterloo sunsets, and loafing around boutiques on Carnaby Street in your Chelsea boots and your favourite crewneck sweater. Fowler is still growling as sweetly as the engine on his Lambretta and the band are still churning out songs about Monday mornings, weekend living, waiting for trains and buses and the barmaid knowing your name. In some respects it’s a bit like the last forty years Continue Reading

Read that number on the cover, today’s pop stars, and weep. Weep hard. Seventy five tunes in itself is a commendable achievement. But seventy five tunes that were all top 20 hits!? “75 of Elvis’ greatest hits,” chirrups the sticker on the front. 75 of his greatest hits?! Because there are more! Yes sir! SEVENTY FIVE! Kind of puts Robbie Williams into context, doesn’t it. This collection is being released to mark what would have been The King’s, you got Continue Reading