Moby is fascinated by the ‘airless and lifeless neutrality of so many man-made spaces’. Not that any of this fascination spills over into his music. No siree Bob. Not in the least. I couldn’t reject this notion more vociferously. Definitely not. I protest too much? Well okay, maybe Moby’s music does have a similarly ‘airless and lifeless neutrality’ about it – but then ambient always had and when Moby came over all ambient (somewhere between his rave euphoria and speed-metal Continue Reading

Manchester/London four-piece just about elude the growing cries of ‘shoegazers’ on debut album, Engineers. True, fans of The Charlatans and Stone Roses are likely to shuffle excitedly back and forth to the familiar stoner strains of tracks like ‘Thrasher’,  ‘Waved On’ and the sickeningly fine single ‘Forgiveness’ but this 11 track collection of sepia lit melancholy traverses a far more progressive path. In fact, for every nod in the direction of their shoes there’s a gesture toward folks as weary Continue Reading

Along with Uncle Tom Cobbley, Tim and Todd Tobias lay claim to having been a part of the loose ensemble of lo-fi misfits that have over the course of the years made up the godfathers of lo-fi rock, Guided By Voices led by singer/songwriter Robert Pollard. Tim was the bass player for a few years and Todd produced a spate of recent albums for the band. But that’s where the connection ends. Anybody hoping for a block of well-crafted space Continue Reading

Hey! Maybe you’ll like this! It’s full of nice tunes that aren’t too objectionable, played on the electric guitar just like Those Libertines Who Do Take Drugs And Are All Over The Popular Daily Gossip Papers In London England Where The Jam Once Lived. And they’re Swedish! We could launch the album at Ikea! It’ll be a riot! Or so a meeting in a boardroom somewhere between here and Stockholm in the not too distant past probably went. Pop culture Continue Reading

There are plain old prolific souls, and then there are earthbound vessels for the inexhaustible delivery of transcendent joy and melody to the masses. And they’re pretty rare (who can you think of? Mark E Smith? Lou Reed? Dave Bowie?), at such quality anyway, and without extended mid-career crises wiping whole periods off the scoreboard. She’s on course for a nice round 20 album releases, probably within the next 18 months at her current rate, is Kristen Hirsch. Of course Continue Reading

There’s a bittersweet irony in the fact that the last time we doffed our caps at Doves they were headlining Sunday night against Moby at the Glastonbury Festival 2003 – an eternity in music terms, giving that this was in some hazy, cautious period for the UK music industry, shortly before we really found our feet with the jerky, imponderable panache and swagger of the new breed of indie icons: the Franz Ferdinands, the Libertineses, the Keanes, the Snow Patrols; Continue Reading

As part of the 679 recordings mini mafia Death From Above 1979 have probably had it easier than most.  Sharing already acclaimed company such as The Streets, The Futureheads and The Secret Machines is the easy part, but making an album of the dominant primal intensity they have is totally different story, but one with which DFA 1979 have a panache for. Canadian duo Sebastien Grainger and Jesse F. Keeler, one part bass and one part drums, you do the Continue Reading

A film that takes on The Beatles is always going to fail in one respect or another. They were too big for Hamburg. They were too big for Liverpool. And they were too big for the hand of even the most gifted of scriptwriters. Truth is not only stranger than fiction, it’s also too slippery a creature to handle with any success, and even though this stroll through the early years of the Beatles is a thorough delight in it’s Continue Reading

There are often more cons than there are pros to having the love and support of some of music’s most respected back-office members when you’re just starting out in your career. The first disadvantage you’re likely to suffer is that the weight of expectation is often far too great to carry off respectably. From the Dave Fridmann produced Elf Power to the surprisingly able Minnie Driver, the load carried over from previous major critical successes leads to inevitable disappointment. And Continue Reading